Touch The Dark cp-1 Page 3

  Chapter 2

  The gun was snatched from my hand and I was smashed into the mason-block wall, face first. In the same breath, my arm was wrenched up so far behind me that I was afraid it would break. I didn't see what happened then because I was too busy getting a concrete facial, but I heard what sounded like every metal shelving unit in the place being turned over. Someone gave a roar of rage, then a swell of power billowed through the room like a hot wind, crashing against my skin in a hail of sparks. If I'd had enough breath, I would have screamed, both at the sensation and at the sheer pettiness of the bastard who wouldn't allow me even a tiny chance of escape. Not only had Tony sent a whole squad of vamps after me, but at least one of them simply had to be a master. No one else could summon that kind of power, not even five ordinary vamps working together. And it wasn't just any old master, either.

  Most vamps spend their immortal lives as little more than slaves, serving whoever made them without the ability to break away or to refuse an assignment. But some, usually those who were the strongest willed in life, over time gain power. When they reach master level, they can make other vampires to serve them, and are usually given some autonomy by their makers. Seventh level is the lowest master rank, and most never progress past it, but for those who do, each additional step up the ladder gains them new abilities and more freedom. I'd been around master vamps all my life, up to third-level ones like Tony, and I'd seen plenty of them lose their tempers. But it had never before felt like their power might actually burn holes in my skin. It seemed impossible that Tony had talked a senior vamp, second or first level, into taking on a sordid little assassination—offing me wasn't exactly a challenge—but there wasn't any other explanation.

  I yelled for Tomas to run, even knowing it wouldn't do any good, and my vamp decided I must not be in enough pain if I could make all that noise. He lowered the hand holding the back of my head to my neck and squeezed. I remember thinking that, if I was lucky, he'd choke me to death before he remembered to bring me over. It didn't make for a great night for me, but it was better than looking at Tony's ugly face for eternity.

  A second later, when I was beginning to see dots swirling around my vision and to hear a roaring in my ears, the vamp gave a high-pitched scream and the pressure suddenly let up. I gasped and fell to my knees, struggling to get a deep breath past my burning throat, while he flopped around in front of me, screeching as if he was literally being torn apart. It took me a few seconds to figure out what was wrong with him, since it wasn't an everyday occurrence. A big hint was the warm, almost liquid feeling tracing a lopsided pentagram on my back, as if someone had drizzled heated oil over my skin. Another clue was that the vamp's arm and part of his chest were covered in lines that glowed gold as they sizzled and popped, cooking the flesh between them and the bone. As I watched, one molten welt obscured the small indentation over his breast where my bullet had gone in and kept going. I stared at him in paralyzed shock. From the shape of the marks, it was pretty obvious that my ward had flared to life.

  That was ironic, considering that Tony must have been the one to have it worked into my skin in the first place. I'd always thought he'd been gypped: its original pentagram shape had stretched as I grew older, and all I'd ended up with was an ugly tattoo that covered half my back and part of my left shoulder. But although it wasn't a very good-looking design anymore, it seemed to work pretty well. However, the vamp who attacked me wasn't a master—that surge of energy had come from somewhere behind us—and how my ward would fair against one of the big boys was an open question. I was pretty impressed that it had done this much; the only time it had flared up before, it hadn't put on nearly as much of a show. It had only burnt the would-be mugger's arm, singeing him enough that I was able to get away. Of course, then it had been a human trying to rip my head off. Maybe it became stronger depending on the strength of the one it was fighting? I had a bad feeling I was going to find out.

  I know something about wards, since Tony always kept two wardsmiths on staff to maintain the fortress of magical protections around his home and businesses. I'd learned from them that there are three main categories: perimeter wards, energy wards and protection wards. Perimeter wards are what Tony uses as camouflage when he's up to something illegal—in other words, constantly. Energy wards are more complex: at their best, they are better than Prozac at relieving stress and helping people work through emotional problems. At their worst, which is the way Tony usually used them, they could allow him to influence important business negotiations. Everyone within the perimeter of the wards would start to feel very mellow and would suddenly decide that cutthroat tactics were too much trouble when they could simply do whatever Tony wanted. There are two types of protection wards: personal shields and guards. Eugenie instructed me in the first type when I was a kid. Without them, I could even sense the ghosts of ghosts—the thin energy trails stretching back in time like glowing lines on a map, telling me that once, maybe hundreds of years ago, a spirit had passed by. The older I got, the more distracted I became by the impressions, maybe because Tony's old mansion was sandwiched between an Indian burial ground and a colonial cemetery. Eugenie had finally tired of my mind wandering during lessons and gave me the tools to shield against them. She taught me to sense my energy field, what some people call an aura, then use my power to build a hedge around it for protection. Eventually, my shields became automatic, filtering out anything except active spirits in the here and now.

  But shields are only as powerful as the person building them, since they usually draw on personal power, and most aren't enough to thwart a major spiritual or physical attack. That's where guards come in. Crafted by a group of magic users, they are designed to protect a person, object or location from harm. They can be set to fend off danger, usually by turning the evil intent back on its sender or, in cases like mine, ensuring that anyone touching me with harm in mind ends up screaming in agony.

  These types of wards are big business in the supernatural community. Tony once paid a wardsmith a small fortune to craft a special perimeter-protection combo for a convoy of ships carrying some highly illegal substances. He was supposed to make them look like old garbage scowls to any observers—not the sort of thing the authorities enjoy searching too thoroughly. But the smith was young and careless, and the wards failed right as the ships were heading into port—almost in front of a Coast Guard patrol. Tony lost the cargo and the wardsmith lost his life. I had been too young when my ward was done to remember the experience, but whoever had crafted it knew what he or she was doing. Tony must have paid a pretty penny for it, although this was probably one instance when he wished he'd gone cut rate.

  My eyes had begun to water from the stench of frying vampire flesh, not something you smell every day, and I gagged for a moment before suddenly realizing that I could move again. I looked around frantically for my weapon, before almost immediately giving up and scrambling around the edge of a shelving unit. There was no sign of my 9 mm, and no way was I going to make it to the door without it. And the few boxes on the unit that formed my sad excuse for a hiding spot were not going to fool anybody for long. No weapon, no way to hide and only a warped ward for protection. I decided on the better part of valor, also known as running and hiding, and started backing down the aisle.

  If I could avoid the master vamp for a minute, maybe I could make it to the small door leading to the unfinished part of the basement. It had no doorway to the rest of the club but abutted the wall behind the far end of the bar. If I was out of sight, there was a tiny chance the vamp's senses might be confused and he'd assume I'd slipped into the bar again. That might buy me a few seconds to sneak out the back, if he didn't do the smart thing and leave one of his guys to watch it. Of course, even if he did, my ward might take out another low-level vamp. Then again, it might not.

  I finally reached the half-sized door at the end of the last row of shelves, but hadn't even gotten it open before I heard a crash and an inhuman scream behind me. I looked o
ver my shoulder, expecting to see one or more murderous vamps headed my way. It took my panicked brain a few seconds to realize that the person floating down the aisle was Portia, and that the sound of fighting was coming from several aisles over.

  "I told you I would bring help, Cassie!" Her face was shining with excitement and the little rows of curls on either side of her head bobbed as she turned to gesture dramatically behind her. What looked like an entire Confederate brigade had muscled into the storeroom, even though there's no way it could have held anywhere near that many people. I'd seen that trick before—metaphysics tells regular old physics to go take a hike sometimes—but it was still impressive.

  A dashing officer with a long mustache swept me a bow. "Captain Beauregard Lewis, at your service, ma'am." He looked kind of like Custer, an observation that probably wouldn't have gone down well if I'd been dumb enough to make it. But before I could say anything, a vamp reached through the shelving and the captain's insubstantial middle and grabbed me around the throat.

  Beauregard unsheathed his sword and I had half a second to wonder what he thought he was going to do before it came down in a flashing arc that took off the vamp's arm at the elbow. He yelled and so did I, in my case because I'd been sprayed with a warm sheet of blood and because the severed arm was still tight around my throat, fingers digging for my windpipe. Vamp bodies don't die unless both head and heart are destroyed, so the arm was trying to complete the last order it had been given and choke me to death. Beauregard tried to pry it off, but his hand went right through me.

  "I sure am sorry, ma'am," he said, while my vision threatened to go dark for the second time that night. "But I used most of my energy on that blow." He shook his head sadly. "Time has caused us to sadly diminish." He looked like he expected me to say something, but it's a little hard to sympathize when you can't draw a breath and fireworks are going off behind your eyelids.

  The vamp made another lunge at me, but Portia managed to trip him with her parasol. "Get him!" she cried, and the battalion, which had been merely observing the scene until now, moved as one churning, massive river of gray. It was one of those moments when your eyes cross as the brain tells them they can't be seeing what they say they are. Several thousand troops converged on the same point, falling into it like water disappearing down a drain. Only the drain in question wasn't designed for that kind of thing and sure as hell didn't like it. The vamp started ricocheting off shelving units, his one arm flapping as if he could somehow beat off the invasion, while his skin turned a mottled shade of purple.

  By the time I managed to pry the fingers around my neck loose and throw the arm on the floor, he had stopped moving, frozen like a statue at the end of the aisle. I tried to keep an eye on him but was distracted by the severed arm, which was trying to scrabble across the floor and grab me. I wasn't real clear on what was happening, but my best guess was that each ghost was freezing a tiny bit of the vamp, turning him into a big. ugly Popsicle. I had just begun to wonder what would happen when all those spirits tried to escape from his now unyielding flesh when the explosion came. I'd grabbed a wine bottle and started hitting the arm, so I missed the big event. All I know is that I ended up covered in icy bits of vampire flesh that hit me like tiny hailstones.

  Portia drifted over, avoiding the repulsive floor by simply not touching it. She twirled her lacy parasol and beamed at me. "We must go, Cassie. That took a lot out of the boys and they need to rest. But we want you to know that we had a lovely time!" She took Beauregard's arm and curtsied while he made another bow; then they vanished along with the crowd that flowed out of the vamp's remains.

  I sat in the middle of a patch of melting goo, too stunned for action, and rubbed my neck. My face stung from where the storm of vamp parts had hit me, but my throat was more of an issue. I couldn't seem to swallow, and it had me worried. I might have sat there quite a while, watching vamp bits melt and fall off the shelving, but Tomas appeared at the end of the aisle.

  "Hurry!" He grabbed me by the wrist and hauled me into the main part of the room. I yelped in pain—he'd taken hold of the same wrist the vamp had almost twisted off—and in surprise at seeing him alive. I'd pretty much written us both off, but now it occurred to me to wonder who had been fighting with the vamps if Portia's group had been with me. His hand was dripping blood and for a second I thought it was his, but I couldn't see a wound. My yell must have startled him, because he abruptly let go and I slumped to the floor, wheezing and choking at the strain the scream had put on my abused throat. It was then, while cradling my wrist to my chest and trying not to be sick, that I noticed the bodies.

  Other than my first attacker, who was now minus an arm and making gurgling sounds as the ward ate through his chest, the only one still moving was trapped under a shelving unit that looked like it had been torn from the wall and thrown on top of him. It had contained a bunch of metal sheets left over from the urban warehouse theme Mike had done on the club, which had been salvaged from a condemned factory. They weren't some designer's idea of stylish metal siding, but the real thing—thick, razor-edged pieces that Mike had had to be extra careful with when installing. They had apparently gotten up some momentum when the shelving was tossed around, turning them into lethal projectiles that had sliced up the vamp like a loaf of bread. He must have fed recently, because enough blood had poured from the multiple gashes to spread across the floor like a crimson blanket.

  None of the strips had taken off his head or pierced his heart, however, so despite his gruesome injuries, he continued to live. He looked in my direction, and I saw him struggle to raise the gun he clutched in one hand. Tomas noticed and without hesitation walked over and pulled out the metal sheet embedded in the vamp's abdomen. He brought it down in a series of quick, meaty-sounding thuds while I stared at him in openmouthed disbelief. Within a few seconds, the thing on the floor resembled a pile of raw hamburger more than a person.

  The vamp's eyes continued to glare at me in hatred, aware of what was happening even as he was butchered, and I couldn't scream, couldn't do anything. I'd been in some tight spots before, but the nerves forget what it is to remain bowstring tight every minute of every day when you don't have to live that way anymore. I watched Tomas sever the vamp's head from his body with a final jarring thud, and let out the breath I hadn't even known I was holding. We were alive. I couldn't believe it, and I sure as hell didn't understand it.

  Growing up at Tony's had given me a fairly high tolerance for violence, so I was sort of holding things together until I noticed that the corpses of the fourth and fifth vamps had gaping, ragged holes where their hearts should have been. Staking is the traditional and still most popular way of dealing with a vamp, but I guess ripping the heart out manually works, too, although I'd never seen it done that way. I was thinking that I could live without ever seeing it again when I looked at Tomas and, suddenly, the room fell away.

  Normally, I get some kind of warning when I'm about to have a vision. Not that I can stop them, but the thirty seconds or so of disorientation that precede them give me time to get out of other people's sight and let me mentally prepare. This time, I got nothing. It was as if the floor just gave way and I fell down a long, dark tunnel. When I landed, Tomas stood about six feet from me on a grassy plain that seemed to go on forever under a pale blue sky. His skin was burnished bronze instead of sun-kissed cream and he was dressed in a sleeveless, dirty, woolen tunic instead of Goth chic, but it was definitely him. His eyes were wild, glittering like two dark jewels in his face, and his expression was triumphant. A group of similarly dressed men surrounded him, all looking like their favorite team had just won the Super Bowl.

  Waves crashed onto a rocky shore nearby, their color a green so deep it was almost black, and sent a cold breeze inland in icy gusts. It would have been a stark but beautiful scene if not for the couple of dozen bodies lying around. Most of them looked European, with the closest in an outfit that could have come out of an underfunded pirate movie: white cotton shi
rt with full sleeves, brown linen knee pants and soiled white hose. The man had lost his shoes and his hair was as wild as his expression.

  As I watched in horrified fascination, Tomas thrust a crude bronze knife into the man's still-heaving chest and cut a deep gash that ripped it open from neck to belly. Heat from the wound mixed with the cold air to cause a cloud of steam to rise, but it wasn't thick enough to keep me from seeing him tear through the ribs like he was snapping twigs. Bright rivulets of blood bathed his hand as he brought out the trembling heart and held it aloft; then slowly, as if savoring the moment, he began to lower it to his mouth. His teeth sank into quivering flesh that was still trying to beat, then tore through a pulsing vein that sent a stream of blood gushing across his face and down his chin. The cascade pooled in the hollow in his throat, then sent red fingers down his chest into his tunic, leaving abstract designs behind so that he looked like he was wearing war paint. His throat convulsed and he swallowed, causing a cheer to go up from the watching warriors.

  I must have made some type of noise, because he looked across at me and, flashing red-stained teeth in a horrible parody of a smile, held out the grisly mass of flesh as if to offer to share. He took a step forward and I realized I was rooted to the spot, unable to stop him, unable to get away, as that dripping hand with its gruesome offering came closer. My paralysis finally broke and I screamed.

  It hurt my throat, but there was no way I could have held it back. The vision shattered and I was back in the gory storeroom, staring wildly at the new Tomas, who, for a split second, was superimposed on the old. His tongue slid out to lick up a tiny drop of red at the corner of his mouth, so small that it had been unnoticeable until he drew attention to it. I remember thinking that old habits die hard, right before I began shrieking at the top of my lungs.